 | ||||||||
| Mixolydian mode | ||||||||
| NEWS | ||||||||
Harmonizing a Melody Over a Pedal Tone For this lesson, let's stick with using our open low E string as a pedal tone/drone, and we will devise melodic lines based on the E Mixolydian mode (E F# G# A B C# D). Keep in mind that the tonality reflected by the Mixolydian mode is a dominant-seven sound, so in the key of E, the harmonic reference is ...
| ||||||||
| Step outside the pentatonic box with these fresh blues guitar solo approaches ... line targets the major 3rd (6th fret, fourth string and 9th fret, first string) outside of the minor pentatonic shape. This gives a brighter dominant 7th sound, outlining the A7 chord - you're also playing the Mixolydian mode without trying! These ideas sound great in a I-IV-V blues progression like A7-D7-E7.
| ||||||||
Mastering the Modes of G Major with Three Notes Per String Thinking of B as our root note, we now have the B Phrygian mode. Playing 1 3 5 7 within this scale results in the notes B D F# A, which is a Bm7 chord or arpeggio. FIGURES 4–7 take us through C Lydian, D Mixolydian, E Aeolian and F# Locrian, respectively, and FIGURE 8 shows the G major scale ...
| ||||||||
| WEB | ||||||||
| Mixolydian Mode of A - Live Jam Guitar Improvisation 01 - Marcus Nalgaber & Mora Amaro on Vimeo https://vimeo.com/channels/marcusnalgaber © All rights reserved by Mora Amaro & Marcus Nalgaber onacarommusic.com.
| ||||||||
| You have received this email because you have subscribed to Google Alerts. |
 Receive this alert as RSS feed |
| Send Feedback |
No comments:
Post a Comment